


The double-domed lid is decorated with cut-card scroll-work punctuated by vertebrate sections. The vase is surmounted by a gadrooned border. The bulbous rim of the urn is decorated with the strapwork, scrolls, rosettes and shell-motifs on a punched matt ground (similar to the decoration on the bowl and stand). A pair of handles hangs from scroll mounts on either side of the fountain. An applied cartouche on the back contains an inscription whereas the front cartouche contains a coat of arms within an ornately chased rococo cartouche. The central section of the vase is highly polished and punctuated by two applied oval egg-and-dart edged cartouches surmounted by a calyx of acanthus leaves. The spout terminates in a dragon's head and the lever is of cast scroll design. The bowl of the fountain is decorated with similar strapwork, scrolls, rosettes and shell-motifs on a punched matt ground. The waisted socle repeats the gadrooning and a simpler form of strap work a central band is decorated with rosettes. The circular stand with a gadrooned edge has scrolling strapwork with rosettes and shell motifs, on a punched matted ground and a second row of gadrooning. Rising from a large stepped circular foot this silver two handled wine fountain of vase-shaped form is surmounted by a multi-domed and waisted lid.

Arthur Gilbert donated his extraordinary collection to Britain in 1996. Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. They promoted new forms, such as the soup tureen and sauce boat, and introduced a new repertoire of ornament, with cast sculptural details and exquisite engraving. Huguenot specialists transformed English silver by introducing higher standards of craftsmanship. Their technical skills and fashionable French style ensured the luxury silver, furniture, watches and jewellery they made were highly sought after. Many were craftsmen who settled in London. When the Catholic King Louis XIV revoked the Edict of Nantes in 1685, Huguenots (French Protestants) were forced to leave the country. The maker, Pierre Platel, was a prestigious Huguenot goldsmith to whom Paul de Lamerie, later the most successful smith in London, was apprenticed. It was used to rinse wine glasses before they were refilled to guests at the dining table. This wine fountain would have been prominently displayed on a sideboard.
